Copper Symphony

A candle shines through the doorway. My fingers still hold a smoldering wick, burning my skin like a glove. “I am home,” I say, to no one in particular – maybe the bricks need to hear it. My shadow dances opposite the flame across their mason-faces. I am a mirror to the naked world.

Above my head, behind me, there is a window. Against it beats rain softly, caressing the glass and whispering of colder weather. It is still in this room, where the candle twists. The music has stopped. My piano lies dormant and expectant. I do not think sound is necessary, here.

Flame: incessant and full of mirth. It spreads beneath the carpet and behind the walls. My body feels no heat, but the candle I see bows and rises excitedly. The air changes; charged. If I were a storm, I would have lightning for arms. Rise. Stand. My feet glow with electricity. I cannot tell you whether it is my hands or the tongues of flame that bring the piano to life, but there is music with the laughter of a fiddle.

An island forms outside the window, as the rain builds up worlds on the pavement. What wonders there are in autumn! My fingers rest; my reflection stands to make amends while I admire the candle in the other room.

Sweden, Far West

Sweden, far west –

where the lines intersect as they

quilt the globe. Solitude.

Something cold, like a child

born too early,

in December.

 

I am amidst the pine forests.

Have you felt the mountains

breathing between the trunks?

They whisper, Harsh winter.

 

My sister, a February child,

drives westward home.

We are winter’s children,

frost-kissed but rosy-cheeked –

like Christmas, only younger.

 

My finger traces a line on the globe:

February’s homeward journey.

Outside, summer grows old;

I am homesick for wintertide.